Thicket, 2014, Jo-Ann Sanborn
acrylic on canvas, 11x14
All of my
canvases are usually primed with a dark, warm tone. I build a painting starting
with a dark toned canvas background and work into the light. The light forms
are scumbled in, and then back to the darks. I do this over and over until I've
got the forms built and the negative shapes working in a that balances and
works compositionally. It's later that I start on the details. Thicket was done
in just this way.
I've been
working that way for almost 35 years, but lately have been working straight
onto white gessoboard for some of my daily paintings. I'm a great one for mixing things up now and then--otherwise I become either complacent, or worse, bored. The change makes me think
about the canvas in a different way and the light bounces back differently. I
have to really work to get in the darks.
The studio/gallery will be open next week for the regular hours - Wed-Fri 10-5, Sat 10-2, but I'll be taking a few days off. See you soon!
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