Iberia, Bras of LIfe, Party Time Everlgades paiinting by artist JoAnn Sanborn

Party Time, Jo-Ann Sanborn

Acrylic on Canvas, 16"x20"

What a nice party Keith and Barbara Dameron gave at Iberia Bank of Marco Island to introduce the public to "The Art of Banking." Keith removed the bank's artwork and replaced it with the work of nine local artists. Having worked with Keith on a number of art projects in the past, I was delighted to be included. Keith asked for our best work, and had the show hung by Nancy Garrison and Darlene Schultze of One Day Interiors.

In addition to the paintings on the wall Keith asked each artist to bring another painting to be placed around the room. The Bank looked fabulous, the food and music was terrific, and the guests were interested in the art and artists.

There were several sales as well. My painting, Lazy River, found a home with a couple who had been looking at it since I started it in the studio. Thanks, friends! Stop into Iberia Bank and take a look. Staff there is friendly and will welcome your visit.

I was sorry to miss the the Bras of Life auction at the Art League of Marco Island last night. My husband and I saw the show earlier in the day. What creativity! The bras were fabulous, with a lot of work in each clever piece. There may be a slide show of them up on the Art League's site soon. In addition, the new director was introduced. Can 't wait to meet her.

Changes in the Colony, and I love a Parade painting by Everglades Artist JoAnn Sanborn

I Love a Parade, JoAnn Sanborn
Acrylic on Canvas, 20"x40"

The Artist Colony at the Esplanade, of which I am delighted to be part, is housed in donated, vacant retail space. While all of the artists know it can happen, the reality of a paying tenant claiming their space came as a shock!

What a parade as the artists of Waterfront Gallery carried their art works and the contents of their gallery across the Esplanade to their new home. Luckily they were offered another donated space, and while they're sorry to lose their nice bright gallery on the waterfront, they'll enjoy being more visible to the Esplanade's many visitors in their new space.

In addition to the move, sculptor Bob Frettoloso, painters Carolyn MacAndrew, Bill Moseley, Pat Perrotti and mixed media artist Tracy Gudgel will be leaving the Colony. They cite a variety of reason for their decision, and are all grateful for their Colony experience. The eleven remaining artists wish them well on their continued artistic journey.

Waterfront regulars Tony Dallman-Jones, Maggie DeMarco, Claire Keery and Phyllis Pransky are working hard to make the new space ready. The gallery will be closed during renovations, but will reopen in a couple of weeks.

Because the new space is smaller, Waterfront, which started out as a group gallery, has decided that each of the remaining artist would welcome a little more space, so there will be no openings for additional artists at this time. Welcome to the Courtyard!

Darren Clack, Concrete artist,

If you've visited my studio in the Artist Gallery at the Esplanade, you know I share space with three other artists. One of them is concrete artist Darren Clack. Darren works with concrete, glass, and a variety of other materials to make some great stuff.

On a recent visit, a couple of kids made some designs of their own when Darren wasn't there. They wanted to leave them, for him to see. Simon, 11, made a colorful pin-wheel design.

Nate, 9, chose realism, and did a bunch of grapes

Image their delight and surprise when Darren found them fishing off the new Goodland Park boat ramp and presented them with two beautiful tiles, polished to glowing and a delightful souvenir of their visit.

Fish for dinner and a beautiful tile. They were delighted.

Darren uses concrete in a variety of ways including benches, jewelry, bookends and vases. con in and check it out when you're on Marco. He'll soon be teaching a workshop class at the Art League of Marco, and you can make your own.

Working Large, Out of my Element daily painting by Everglades artist JoAnn Sanborn

Out of my Element, Jo-Ann Sanborn
acrylic on board, 5"x7"

Yesterday in the studio one of the other artists commented that my work seemed to be getting larger. I've always worked larger in the summer, when the number of visitors and interruptions was less. In my small home studio the only time I could fit a large canvas in was when I wasn't dragging paintings in and out every weekend for the outdoor shows. Now in a larger studio/ gallery as part of the Artist Colony at the Esplanade, I have a little more space, but with the number of visitors down the summer is still a great time for making larger pieces.

I've had one such piece for over a year, and need to get back to it. I've brought it out recently, and it has received some nice comments. What's holding me back?

My inspiration for the piece is still strong. It's a nice Everglades piece. I look at it every day, and think about the under-developed palms and the fact that it just needs to show a little more distance. Still, when I pick up my brush I work on something else.

There, I've told you about it. Now I'm going to have to get busy. Ask me about it when you visit, and I'll show you my progress.

Music Box painting by Everglades artist JoAnn Sanborn

Once in a while I like to show you a work in progress. This is a commission, and the painting that will eventually rest in the cover of an antique music box. The theme/name is to be "Trill in the Woods," and my client has some very specific requirements!

This painting will be a childhood memory of a favorite place. There's a wooded hill off to the right and a reverse curve into the distance. Birds, songbirds, all singing--as many as a dozen. There must be a field of sunflowers in the distance, and a pond with some rushes, lily pads and a frog. Late summer wildflowers, and a blackberry patch, with rich, ripe berries. All this and more on a 11"x12" panel.

First, I got out my sketch book and drew birds for a couple of weeks. Singing birds. I sketched the composition in again and again until I was satisfied that each requested item would have a place but the painting as a whole would work. I ordered some acrylic inks. Then I laid in the basics with pen and ink, which will allow me to have control of the details while still using my paint and brush to get the feel of the landscape.

I want the colors to be rich and dark, with glazes to give it depth. I want the far meadow to be in sunlight, to help you move back into the painting. I want a strong feeling of what's in sunlight and what's in shadow. I want each bird to show up against it's background, unlike nature! I want the detail to define each object while not overtaking the idea that this is a painting, not a drawing.

Acrylics allow me to "build" this painting. I can work on the parts again and again until I'm satisfied. I'm at the mid-point now, with some satisfaction with the basics but a lot of work to be done to say "finished!" The birds still have no identity or character, with others waiting to be developed. The pond accessories need to be defined. The rocks and trees need another layer of care, and the light isn't quite right yet.

I'll post an update when I'm closer.

Me & Monet, painting by Everglades artist JoAnn Sanborn

After Monet by JoAnn Sanborn

acrylic on canvas, 18x24

Surprise! Today's painting isn't an Everglades scene. It started out as a copy of a painting by Claude Monet, one of a scene from the lily pond at Giverney. Like most of my canvases, once I have the block-out done I go my own way, with just a reference here and there to my source.

I did this particular painting rather quickly because I intended to hang it when friends came for a French themed cocktail hour. However, in my haste I didn't notice the size, and when I went to frame it for the dining room, I didn't have the right size frame on hand. Monet wouldn't have had such a problem!

There's something envious about the way Monet was able to manage his life and his property around his art. I've been to Giverney and it is lovely. The comfortable home opens onto a garden with rose arbors leading down a romantic path to the lily pond.

His life wasn't always easy, but by the time he purchased Giverney, Monet knew what he was after. His family provided just the right food at the right times of day not to interfere with his painting, his gardeners worked to create his landscape vision for the property for the best light on his roses, company was invited to visit according to his painting schedule, and his paintings of dancing light and color are uniquely wonderful and have withstood the test of time.

I'm just a tiny bit envious. Would there be a chance I'll be remembered into the next millennium if I can just learn how to order my life to be subordinate to my art?

Oil, Catching the Light painting by Everglades artist JoAnn Sanborn

Catching the Light

acrylic on canvas, 40x30

There's a first ray of hope that the gushing oil spill has been stopped after 87 days of flowing freely. Now begins the serious and difficult fight to save the Gulf of Mexico. Who will take the lead?

Cleaning up the Gulf, and restoring both the jobs and the habitat should now become the priority and focus of action. It will take teamwork, money, and leaderships to restore the loss of the marsh habitat in the upper Gulf, and remove the carpet of oil covering the Gulf bottom.

Someone needs to assess the effects of the oil and chemical dispersant on the vast number of species who's survivial depends on clean water and the the long-term effects on the human population who ring the Gulf, and generate a plan for their recovery.

Further south, the unique Everglades landscape I paint daily is so far unaffected. Our marshes are clear of oil and our beaches still lovely. I've spent long hours in the uninhabited places of South Florida, and come to love the sound of the wetlands and the singing of the insects and the birds as they go about their daily business in a world we can only imagine. I don't want to lose them.

Happy! Summer Sunset daily painting by Everglades artist JoAnn Sanborn

Marco Summer Sunset

acrylic on board, 5"x7"

I had a nice compliment last week when one of my collectors made a purchase. He said, "Your paintings make us happy." That's the type of comment I will hold in my heart and will help to offset the less complimentary comments I hear from time to time.

I'll remember it when a painting is not going quite as well as expected, I'm frustrated by not being able to get something quite right, or the feeling of the atmosphere just won't translate onto the canvas in the way I want.

It's right up there with the person who told me that "Your painting transformed our room!" Another art-sustaining compliment was when someone told me that "I didn't see the beauty of the Everglades until your paintings opened my eyes!"

Happy! What an gift from a collector, to be told that my paintings make them happy. Their purchase and that great compliment have made me happy for days! Thank you!

Color Correction, Lazy River painting by Everglades artists JoAnn Sanborn

Lazy River
acrylic on canvas, 16x20

Lazy River is a rich, deep color painting of a spot down in the glades off Everglades City. I haven't been there for a while but remember the feeling of just floating along, enjoying the warm light on the palms and the slow movement of the current. Time almost stands still at moments like this. They bring a feeling of inner peace that's nice to remember.

I've purchased a small, light, mini-computer to leave in the studio or use when we have guests in the study. I'm not a gadget person, and this little mini comes close, but it does the job when I'm needing to look up something quickly or check emails.

Colors vary between one computer and another, but the color change between the mini-computer and my large monitor really surprised me. The background of the blog shows pink on the little guy, not the light yellow it should.

If the images you are receiving in your email don't look as rich and colorful as the paintings you have seen in my studio, or if the blog you are reading doesn't have a pale yellow background color, and you'd like to make color correction, learn here how to make simple color adjustments, or if you want more serious information, here.

Red, White and Blues, painting by Everglades artist JoAnn Sanborn

Red, White, and Blues

acrylic on canvas, 20"x24"

Red, White and Blues is the theme of the Artist Colony at the Esplanade's June Last Wednesday Art Walk to be held this Wednesday, June 30, from 5-8 p.m. Each of the three galleries will offer refreshments, music, and new art work for you to enjoy. We'll also be having our People's Choice Award, where you participate by voting on your three favorite pieces created for the theme Red, White and Blues. You can see mine, above.

While you are welcome to visit the galleries any Wednesday thru Saturday, visitors and residents alike are really enjoying the Last Wednesday Art Walks. The People Choice themed Art Walks are a lot of fun, and it's a chance to meet and talk with the artists about their work in an easy, relaxed atmosphere.

What do you talk with an artist about? With me, any talk of the Everglades is always welcome. I love hearing your stories about your visits there, and about your reaction paintings of my favorite landscape. You can also talk about any particular painting, such as theme, colors, and medium. To tell an artist what you feel when you look at a painting will also get a conversation started.

Art can make you laugh, cry, wonder, look more deeply at yourself or others. It adds depth and dimension to our community. So if you're on Marco Island, or close by, come along and join the conversation. I hope to see you tonight!

Mangroves, In the Stream painting by Everglades artist JoAnn Sanborn

In the Stream

acrylic on canvas, 16"x20"

This small mangrove plant is growing in an area near Marco Island where there's a bit of current, and when the tide rips water washes amoung the roots. I used a palette, or painting knife to add some texture and interest, but used a brush, too.

Most mangroves live on the edges of a stream, waterway, or river, and at the edges of the gulf where the water is a quiet backwash althougoh they can take root anywhere there's a bit of soil. Their multiple roots mitigate wave action and trap sediment.

Many animals find shelter either in the roots or branches of mangroves. The mangrove produces large amounts of organic detritus by shedding leaves, flowers and branches which provides food for a multitude of marine species such as snook, snapper, tarpon, jack, sheepshead, red drum, oysters, and shrimp. They also support a large insect population and serve as rookeries, for coastal birds such as brown pelicans, a variety of egrets and commerants, and the lovely roseate spoonbills.

The mangroves live in a salt environment, and can tolerate more salt in their tissues, often at levels that would kill other plants. Some of the sale is excluded at root level. It's believed that excess salt is stored in the older leaves which are then shed. Mangroves are protected by law as a valuable natural resource.

Sawgrass prairies, View of a Prairie painting by Everglades artist JoAnn Sanborn

View of a Prairie

Acrylic on canvas, 2x24

Near Marco Island, large areas of freshwater marl prairies border the deeper sloughs of the Everglades. The soils are made up almost entirely of dead plant materials and are extremely slow to decay, since they are submerged in water for the majority of the year. they contain soil that is more suited for slow seepage rather than full drainage.

This organic soil is know as peat, and can build up to a fifteen foot thick layer. The soil contains a lot of carbon, making it very fertile, but the lack of other nutrients make it difficult for plants to colonize.

A complex mixture of algae, bacteria, microbes, and detritus attaches itself to the surfaces of the submerged plants and is called periphyton. the periphyton forms the basis for a food chain since small fish and invertebrates feed on it and in turn provide food for the larger fish, which then provide food for the wading birds, and on up the food chain.

The sawgrass covering of the prairies is extremely efficient at utilizing available nutrients and flourishes in an environment lacking the nutrients of most growing areas. As phosphorous and other agricultural nutrients leach into the soil, cattails and other invasive plants are able to grow. While some of the prairies are meant to host a variety of species, we are losing large area of our native sawgrass prairies to cattails.

Florida Contemporary 2010 visit, Pair Bond by Everglades artist JoAnn Sanborn

Pair Bond
acrylic on board, 6"x6"

Friends, lovers, family, or spouse, two by the water always works.

I've been wanting to see the Naples Museum of Art's exhibition Florida contemporary 2010 before the Museum closes June 26 for another installation, so when an artist friend called to get together, we decided to make the Museum our first stop. the mission of the Museum is to inspire creativity and awaken curiosity, and the exhibition met both of these requirements.

The exhibition included the work of both established and emerging photographers, painters and sculptors, and included a number of mixed media pieces. The artists had to currently be residing in Florida, but many of them, and their images, were of somewhere else. The exhibit was not meant just to be a local statement.

I recognized the wonderfully depthful work Joann Lizio, and the graceful stone form of sculptor Angelica Kade right away, since both are friends and I admire their work. There were a couple of other artists represented that I knew, but the majority were new to me.

It was fun to view the show with another artists. Early on we decided that we would each pick a choice for best in show, and one we'd like to put on our own walls. This little exercise made us look more closely and thoughtfully at each piece. Some we admired the skill or loved the technique or idea, but wouldn't want to love with , others we'd love to live with, but probably wouldn't give "best in show

One of the most intriguing pieces was "Hand" by Billie Grace Lynn. Hung with fishing line from steel rodes, the bright red interactive hand would move creepily into yours as your hand went to shake it. Its remarkably lifelike movements both chilled and intrigued.

Art Critic Donald Miller wrote a wonderful piece about how this show develops. in the end, I picked a simple but extremely well-balanced abstract to live with, and a wonderfully rendered "Saint" as Best in Show. Since the Museum doesn't allow photos, you'll have to go and see for yourself what your favorites are!

Care and feeding of your Muse, Evening Song daily painting by Everglades artist JoAnn Sanborn

Evening Song

acrylic on board, 5"x7"

I spent a lovely hour in a garden by the water last evening, with a little breeze and a friend, restorative and peaceful. It got me thinking about the care and feeding of my muse, needing attention after last months computer woes.

My muse is the Everglades, that vast, wet, humid, green and very unique bit of our still lovely planet. The Everglades have a defined role in the health of our world. Rains come in the summer. Multiple, heavy, soaking rains that saturate the ground, fill the marshes, lakes, and sloughs, and cover the ground in a shallow moving river. The rain brings renewed life to the region, starting a cycle of life that nurtures the estuaries and beyond.

The rains feed the life forms that love both fresh and brackish water, like the fringes of mangroves lining the shoreline. Fish flourish in this mix, and the young feed protected among the roots of the mangroves fringes, and grow to provide food for many species, including humans. Both the Gulf of Mexico and the Atlantic Ocean benefit from this bounty of life.

As a muse, the Everglades wetlands and uplands provide me with endless artistic inspiration and exploration. On every visit I see something new and special. It may be the way the light hits a particular waterway, or the way a cloud teases the tops of the trees. Sometimes it's one of the elusive animals that delights me. My muse gives me a lot, and as a result, I want to do it justice.

To help sustain my muse, I've joined a few of the Everglades support groups. I've given donations of both paintings and financial support. In my studio I talk with people about the value of the land and often give visitors a map so they can go and see for themselves.

But most of all I painting the Everglades, almost exclusively. I paint them because exploring the strong forms, bold shapes and fantastic light interests me. My highest compliment is when someone tells me that I've opened their eyes to the beauty of the Everglades landscape. Whether working on site or in the studio, portraying my muse is a joy.

What's your muse, and how do you care for it?

Not computer woes, again?

Glorious Moment

Acrylic on Canvas. 5"x&"

Here I am once again complaining about trying to learn just enough technical literacy to keep in the race. I'm not young, started life without even a TV, and grew up kicking and screaming as I was pulled into new times. But, if you don't speak the language you'll be left behind, and I'm not one who likes to be left behind!

I received a new camera for Mother's Day. More pixels, more memory, more pleasure, right. Wrong! I can just barely take a photo and get it up on this blog. Took me nearly half an hour this morning just to find the right connection cord to get the photo from the camera to the computer. Still in the box. UGH

This camera tells me just before I shoot EVERY SINGLE PHOTO that my hands are shaking. I'm old, but not THAT old. I brace myself, hold my breath, tuck in my elbows, look for inner stillness, and nope, still too shaky. I give up, but then can't find the tripod.

I can probably edit it out. That would be if I didn't have a new computer. Because it's been so long and I've been delaying the purchase, every one of my old and reliable programs need to be updated, or are outdated. This mean they no longer work the way they did. Organizing now means something else. I can't find the files, and they're certainly not where they were in relation to each other. If I write my blog post elsewhere, it won't cut and paste in any more. I did have a lovely one ready, and where are my photos?

Because I use Carbonite, an on-line computer back up, I know they're there, and that's a relief. I'm gradually finding and restoring as time passes, but this is not a quick process--at least for me. Some things won't show up in the new programs, or the data is in a format not acceptable. It too me an entire week to find and restore my business account, but that, at last seems OK

Back to my photo. I could edit it with Photoshop. That is if I knew how to use Photoshop. It's new, and its on my computer, but it speaks a very different language from my old software editing program. I've got two huge books, but haven't read them yet since I'm still spending every spare minute restoring and recovering files.

Anyway, everyone knows how to use Photoshop, right? Not me. I should be able to figure this out, at least for one quick photo. Well, I give up for today. I took a photo with shaky hands, can't edit it, couldn't find the cord to put it in the computer, couldn't find the photo, couldn't move it into Photoshop, had trouble doing what I wanted with it, thought I had it until the wrong photo appeared above. It's obviously one of the unedited versions, taken with the shaky hands. I don't know why it has the label of the one I spend an hour figuring out how to edit.

You'll just have to stop in and see the little daily painting in person if you're on Marco. It's lovely, and I'll replace this photo just as soon as I can figure out how!

Meanwhile, I'm at wit's end over this. I'd call in a professional if I really thought it would help, but know that it's mostly about me learning new thing. Anyway, it's time to stop whining and go painting. Thanks for listening!

It's not a new toaster, March Morning painting by Everglades artist JoAnn Sanborn

Marsh Morning

acrylic on canvas, 20"x20"

We haven't had much rain yet but the mornings have been lovely, and visiting the marshes early in the morning is a joy. There's peace and beauty in this Everglades march. Still, sometimes there's something in your mind that won't let go, so here goes!

Marketing art in this economy is not easy, and many artists have discovered that a combination of gallery representation and self representation is the best way to manage art sales. Pricing is always a big issue, and get a group of artists together and the pricing conversation can go on for hours. the goal is to get a decent wage for your work and for your level of professionalism and training, and yet to remain competitive in the marketplace.

Most artists know to never, ever, to set the price of a work differently for particular venue, or in that case, for the look of someones shoes. The price set should be the price, no matter where the work is seen, although it may rise as time goes on. An example of this would be a limited edition sculpture, where pieces rise as less are available, or if you sell a similar piece at a higher price.

Professional artists also know that if a gallery collector happens to make a studio visit and to purchase, the gallery is due its commission. This works for both sides if the gallery has willingly shared the names of your collectors it has sold to as it should. It's also wise to have a policy in place for sales through designers and decorators, ensuring that the final piece a client pays will be the same as if they had dealt directly with the artist.

This is good business because it builds trust with others, who are then free to promote your work for compensation, and with clients, because the value of the work they purchase is solid. At the international level, prices paid for high-end art work has reached the ridiculous, but on the local level there's a lot of talk about discounting artwork because the economy has affected so many incomes.

To me, thoughtless discounting of artwork is a betrayal of the client who purchased equal work at a higher level. While it may serve to bring in immediate income in the long run the work is devalued. Still, it's important to reward those who are repeat collectors, and care about you and your work. Artwork is not like purchasing a new toaster, and shouldn't be treated as such.

When you tell me that you love my work and want one of my paintings, I want to help you to own it. If you don't have the means to make a large purchase, choose one of my smaller works to get started, or for something larger we can work out a payment plan that meets your needs. Then the sale will please both of us.

Oil & Wildlife, Clouds over the Glades daily painting by Everglades Artist JoAnn Sanborn

Clouds over the Glades

5"x7" acrylic on canvas

With the Gulf oil spill still not contained, the impact on wildlife is becoming critical. The Louisiana Gulf Coast region is home to more than forty percent--think of it, forty percent--of our nations valuable wetland habitat. More that 400 species are dependent on that area for food, protection and breeding

The spill threatens all manner of Gulf wildlife and even if stopped tomorrow, if they survive, these species will be impacted for decades. Having lived on Gulf waters for almost 20 years now, I can't imagine it without the rich bounty of sea life we so enjoy.

While BP made mistakes, big ones, and must pay, this event could have world-wide effect on our water and food supply. Nothing short of a monumental effort to stop and clean up the mess should be mounted. The full power of the United States People should be brought to bear--not to lay blame but to find solutions, to help the affected wildlife, to put to work those whose livelihood is on hold.

If the spill is stopped soon, there is some indication that by the time the oil reaches Marco Island and my beloved Everglades, it may be diluted or dispersed. Just in case, I'm glad that our County and City government are taking the threat seriously, watching closely, and taking an active role in preparing for impact.

The National Wildlife Federation is involved and has some suggestions for those of you who want to help with the sad situation of impacted wildlife. You can volunteer, donate, speak up, or share. Learn more here.

Wet season, hurricane plans, and Waterway, painting by Everglades artist JoAnn Sanborn

Waterway

acrylic on canvas, 20x20

$800

The wet season of the Everglades started June 1, and we can expect a lot more rain than we've had in the last few months. Every day the storm clouds build over the Everglades, and at least in some places it's likely that rain will fall.

Rain is very important to the cycle of life in Southwest Florida. The rain fills the sloughs and sends much needed fresh water to the estuaries of the gulf. Cypress tree need and welcome the water. Orchids and swamp lilies of the Everglades will bloom and the sawgrass prairie will regenerate. The wildlife, centered around the waterholes during the dry season, will disperse, mate, and bear young.

Along with the life giving afternoon thunderstorms, sometimes we get hurricanes, the best rainmakers of all. They're very natural for this climate this time of year, and many of the early native tribes would go north in the summer, just like many of our snowbirds do to avoid the danger.

For those of us who chose to stay, it's time to make sure that you and your family have a Hurricane Plan. Stock up on the things you know you might need, and watch the weather a little more closely. Our environment can handle a hurricane. Be sure you can, too.

Oil Spill, Rainy Season, Watson Pond on the Grey Day painting by Everglades artist Jo-Ann Sanborn

Watson Pond on a Grey Day

acrylic on canvas, 20"x24,"

The rainy season has started here on Marco Island. Early in the day the gorgeous thunderheads begin to build and later will drop their load of life-giving rain onto the waiting landscape. Today we had a strong storm just before daybreak and the sky is lovely with pinks and purples.

Yet the threat of the Gulf oil spill continues, and the fact that the oil is still flowing freely is appalling and saddening. Although no oil has arrived here in South Florida yet, the ongoing threat is causing grave concern to anyone who loves our fragile environment.

The National Park service is closely monitoring the results of clean-up efforts in the northern Gulf, and making plans to protect visitors and responders. This week a national Incident Management Team has taken control of the parks and begun a baseline assessment of conditions, expected to finish this week.

Much of the Big Cypress National Preserve is inland, and probably will not be severely impacted, but the mangrove fringes of Everglades National Park that ring Southwest Florida are sure to be threatened. If you go to the Everglades link, look for the map and see how the Mangrove fringes follow the path of the Gulf Stream around the Florida peninsula. (sorry the link wouldn't copy)

These areas where shorebirds and dolphin flourish are remote, wild and lovely. There are no hotels, white sand beaches, or big money involved. These areas have been left to the plants and the animals, in a unique and special protected environment. It will be impossible to get in and remove the oil from in and around the multiple legs of a hundred thousand mangroves, or even the wings of a suffering shorebird far from where roads, and even boats can travel.

And still, no one in Government is telling us to conserve and limit our use of oil. BP and the Government won't let us help. No one is spreading hay and collecting oil on barges ahead of the oil as it approaches delicate areas. Why? You can follow the progress of the spill here.

Orchids, painting by Everglades artist JoAnn Sanborn

Orchids

acrylic on canvas, 30"x30"

Sold

I finally finished this painting, started for Art in Bloom last month at the Artist Colony. I'm pleased with the result, and love the 30"x30" format. It's large enough to make a nice painting, but small enough to move the acrylic paint across the surface without too much trouble.

The orchid basket used for this painting was in full bloom back in February, and the blooms are just now starting to fade. I have several orchids around the yard, and soak them once a month in water with some orchid fertilizer. Other than that they don't need much care.

Unlike some plants, which need to be coaxed along. Here's my tiny, expected to be beautiful, White Egret Flower plant, a gift from my sister last month. It sits near my sink in a west-facing window in the kitchen. It was started from half a peanut-sized bulb, and I've watered it faithfully since digging it up to make sure there was some action. The tiny sprout is starting to show signs of leafing out. Well, maybe it's too soon to actually be called leafing out. It's definitely alive, but what a slow grower!

I'm taking a chance here, since I'm not the greenest thumb around, but I'll keep you posted as this little guy grows. If I can keep the plant alive, sometime in August we should have beautiful flowers that look just like an Egret in flight!