Bright Side, 2017, Jo-Ann Sanborn
Acrylic on board, 5" x 7"
Paintings of the Florida Everglades and Marco Island. Everglades paintings. Fine Art and Daily Paintings. Stories about the life of an artist. Everglades Art

Yesterday's Naples Daily News article Artful Investing discusses whether art is a financial opportunity in these challenging economic times. Certainly if you have certain French Impressionists works in your collection, you have seen the prices rise to astronomical heights. The prices of many American artists are also seeing a nice return. The international art market is growing, and many dealers feel the Russian art market is both hot and affordable. However art as an investment can be just as risky as any other investment. There's a great deal of satisfaction in looking at a painting you love, but any return can only be realized if you part with the work. If your budget puts you below the "blue chip" art market, then emerging artists is the way to go. The painting can bring you much pleasure, is affordable, the artist will be grateful, and just like any speculative stock can be fun to watch.
Our headlines this morning "Could Have Been Worse" and "Fay leaves Marco Soggy" pretty much sum up the experience of the last couple of days here on Marco Island. I love watching the palms sway and bend in the wind and am amazed at their ability to take a beating and keep on their feet! And the needed rains came.
I've just delivered the first six illustrations for a children's story called "The Berry Good Berry and Nut Company" Let me introduce you to Sammy Squirrel and his helper Midget Mouse. Midget is throwing her worries to the wind at Wayward Willies, and the friends are relaxing at Sally's Swill. Yes, Sally's Swill - no comments, please! After a lot of sketching (how does a squirrel's shoulder look when he's moving, where is a mouse tail actually attached?) I used mixed media, including watercolor, watercolor pencils, and India ink pens and brushes. Faber Castell artist pens with brush tips were new to me and a pleasure to use. Quite a change from my usual Everglades. I'm sure it will help me to grow as an artist. How far out of your comfort zone in life are you willing to go to grow?
Every year on Labor Day weekend, Everglades photographer Clyde Butcher and his wife Niki open their Everglades property to the public for a "muck about". In cooperation with a number of Everglades groups, experienced park Rangers will take groups into the swamp to see it's beauty and mystery first hand. You can get a preview of the walk by checking out this video on youtube, but it's not as good as the actual experience!
We lose friends this time of year. They"ll be back, but people we become very close to in the fall cast us aside and go back "North" for the summer. North can be anywhere north of the Florida line, but if you're from New England, it means anything above the Mason-Dixon line. Some go because they can't stand the hot, humid summer weather, some dread the potential hurricane drill, and some go to reconnect with family and friends in a place that will always be "home." Those of us left here will enjoy less traffic and the less frantic pace of social life.
This time of year southern outdoor art show artists receive show notices. We've made a decision to cut down on the number of shows we participate in this year, partly for personal reasons and partly because I want to investigate other ways of marketing my work. Decisions have to be made and I've been busy trying to figure out our schedule for the upcoming year. The number of art shows in our area are increasing and there are more choices than ever. Some weekends there are two or three to choose from! Do we do the ones that are close to home? These cost us less and are a bit easier since we don't have to travel. But, the ones further away give me an opportunity to introduce my work to other communities and for us to enjoy a couple of days elsewhere. It's hard to give up old favorites, yet the results of trying something new can be uncertain. Of course, you still have to be accepted, and some shows change up to one third of their artists every year to keep the show fresh. Will I pick shows and then not get in? Rejection becomes second nature to artists who put their work before the public, but it still not easy! In any case I'll keep you posted once my schedule is complete!
You might like to know a little about how prepare for a painting. I almost always work on a stretched canvas, and usually prepare the canvases ahead of time. I tend to scrub and work the surfaces pretty hard, so professionally stretched canvases work best for me. If the canvas is not at least double primed, I add a coat or more of acrylic gesso, and sanding after each coat. This gives a nice "tooth" to the canvas. I don't overdo the gesso or the sanding, because the texture of a medium canvas has a welcome naturalness that I enjoy. Then I usually paint the canvases a warm dark. This can be any dark mix of red and blue I happen to have around my studio. I usually do the whole order at once so there's always just the right canvas available when I'm ready to start a painting. You can expect this quality preparation when you purchase a Sanborn painting!
The other day a group of sailing boats reminded me of an earlier time in my life when I often sailed Long Island Sound and north to the Maine Coast. Moving along with no sound but the wind in the sails and the cries of sea birds was exhilarating and good for one's soul. Clouds are building in this painting and the ships are looking to get home before the storm. Soon the summer rains will come and this will be a common scene. When out on the water in the summer in South Florida you learn to gage the speed of the building storms, and learn correct timing to be home just before it pours.
Best Friends? Lovers? I moved the background way back and subdued it to let these two palms take the lead and highlighted them with strong color. It's a small painting, but powerful and pleasing.